The Role of the Albanian Media as Mediator and Creator of Collective Memory
Abstract views: 79
/ 
PDF downloads: 70
DOI:
https://doi.org/10.59022/ijlp.146Keywords:
Collective Memory, Social Constructs, Museumization, Social InteractionAbstract
Media plays a crucial role in the development and preservation of collective memory. Each social group constructs a memory package from its past, emphasizing its uniqueness and passing it on to future generations. As a creator of social constructs, the media has a primary role in shaping and building collective memory. Monitoring television, online platforms, and social networks reveals that the media aims to create new perspectives on history by constructing framework packages, focusing on diagnosing the past, and building understandings of the present. Another analyzed aspect is the musealization of memory, where the media treats stories as museum objects, illustrating the values of a bygone era. Through the notion of the small screen as a historical eye, television creates its own self-memory. Analysis of memory narratives indicates that nostalgia and drama are essential tools for their marketing. The analysis of this discourse leads us to the idea of "media as part of history."
References
Cipuri, R. (2011). Challenges of the written press in front of the electronic media. Albanological Studies, Integrated Communication (Concepts, Strategies, Practices), 2011(4), 30.
Burr, V. (2015). Social Constructionism. London: ROUTLEDGE. https://doi.org/10.4324/9781315715421
CNA. (2016, January 18). Former Insurance Journalists/ Some aliases and opening files (Gazetarët e ish-sigurimit/ Disa pseudonime dhe hapja e dosjeve). CNA on line. https://www.cna.al/2016/01/18/gazetaret-e-ish-sigurimit-disa-pseudonime-dhe-hapja-e-dosjeve/
Entman, R. (1993). Framing: Toward Clarification of a Fractured Paradigm. Journal of Communication, 43(4), 51-58. https://doi.org/10.1111/j.1460-2466.1993.tb01304.x
Barker, C. (1999). Television, Globalization and Cultural Identities. Buckingham: Open University Press. https://lib.ugent.be/en/catalog/rug01:000519341
Straubhaar, J. (2007). World Television: From Global to Local. Sage. https://doi.org/10.4135/9781452204147
Wiley, S. (2004). ‘Rethinking Nationality in the Context of Globalization’. https://doi.org/10.1111/j.1468-2885.2004.tb00304.x
Price, M. E. (1995). Television, the Public Sphere and National Identity. Oxford: Oxford University Press.
Castelló, E. (2007). 'The Production of Television Fiction and Nation Building.' European Journal of Communication, 22(1), 49–68.
Bentley, P., & Brannigan, J. (2012). Anderson, B.(1983) Imagined Communities: Reflections on the Origin and Spread of Nationalism. London: Verso. Augé, M.1992 Non-places: Introduction to an Anthropology of Supermodernity, trans. J. Howe. London: Verso. Baker, AR H and M. Billinge (eds)(2004) Geographies of England: The North–South. The Literary North, 116(1), 253.
Ashuri, T. (2006). 'Television Tension: National versus Cosmopolitan Memory in a Co-Produced Television Documentary.' Media, Culture & Society, 29(1), 31–51. https://doi.org/10.1177/0163443706068
Beck, U. (2002). The cosmopolitan society and its enemies. Theory, Culture & Society, 19(1), 17–44. https://doi.org/10.1177/0263276402019000
Levy, D., & Sznaider, N. (2002). The Holocaust and the formation of cosmopolitan memory. European Journal of Social Theory, 5(1), 87–106. https://doi.org/10.1177/136843100200500117
Ong, J. C. (2009). The cosmopolitan continuum: Locating cosmopolitanism in media and cultural studies. Media, Culture & Society, 31(3), 449–466. DOI: 10.1177/0163443709102716
Huyssen, A. (1995). Twilight memories: Marking time in a culture of amnesia. London: Rutledge. URL: https://www.routledge.com/Twilight-Memories-Marking-Time-in-a-Culture-of-Amnesia/Huyssen/p/book/9780415909358
Sherry, J. F. (2003). What’s past is prologue: Retroscapes in retrospect. In S. Brown & J. F. Sherry (Eds.), Time, space, and the market: Retro capes rising (pp. 313–320). Armonk, NY: M.E. Sharpe. URL: https://www3.nd.edu/~jsherry/pdf/2003/Past%20is%20Prologue.PDF
Wilson, J. L. (2005). Nostalgia: Sanctuary of meaning. Cranbury: Rosemont Publishing. URL: https://conservancy.umn.edu/handle/11299/189216
Meyers, O. (2009). The engine’s in the front, but its heart’s in the same place: Advertising, nostalgia, and the construction of commodities as realms of memory. Journal of Popular Culture, 42(4), 732–754. DOI: 10.1111/j.1540-5931.2009.00705.x
Kasimati, S. (2014, November 20). Panorama 2014, Sabiha Kasimati said Mehmet Shehut to the investigator: You are a criminal, you will pay! (Sabiha Kasimati, Mehmet Shehut ne hetuesi: Jeni kriminel. Do ta paguani! Panaorama newspaper on line 20 nentor). Retrieved from http://www.panorama.com.al/sabiha-kasimati-mehmet-shehut-ne-hetuesi-jeni-kriminele-do-e-paguani/
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Deniz Cupi
This work is licensed under a Creative Commons Attribution 4.0 International License.
